Korak is the Honorable Jack Clayton, son of English Lord John Clayton, Viscount Greystoke, also known as Tarzan, lord of the jungle. He is the hero of a 1915/6 magazine serial and 1917 novel by American writer Edgar Rice Burroughs and a 1920 silent movie serial, as well as a character in several other Tarzan stories from 1914 to 1924. He experienced a revival in 1964 as the star of his own comic book series and as a major character in various Tarzan comic books, pages, and strips from 1966 to 1978.
As depicted in the comic books, pages, and strips, Korak has a lean, athletic physique, broad shoulders and thin waist, almost no clothing, a cute, boyish face, and full, thick hair. He is also an intelligent, enthusiastic teen-aged boy with excellent natural instincts and a good heart.
Korak strives to emulate his legendary father but lacks his strength, maturity and experience. Therefore, he is both more likely to enter into dangerous situations and more vulnerable to being defeated.
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| Korak in Daily Tarzan (3/13/1972) |
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| Korak in Daily Tarzan (3/14/1972) |
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| Korak in Daily Tarzan (3/15/1972) |
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| Korak in Daily Tarzan (3/16/1972) |
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| Korak in Daily Tarzan (3/17/1972) |
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| Korak in Daily Tarzan (3/18/1972) |
As the star of his own comic book series in 1964, Korak is a capable, young hero. His adventures were somewhat similar to those of his father Tarzan, but independent from them.
Korak rejoins his father for further adventures in Pellucidar, a fictional world within the Earth's core. Korak is introduced to a Mahar, an intelligent, flying dinosaur from that underground world. As Tarzan and his son return to Pellucidar, a flock of Pteranodons attack the blimp and help the Mahar escape.
Trying to prevent the escape, Korak becomes the Mahar's prisoner. Initially rendering the son of Tarzan powerless by its powers of clairvoyance and mind control, the Mahar is distracted enough by an attempted rescue that the young jungle hero is quietly able to escape. While taking shelter in one of the caverns through a storm, Korak encounters a scantily clad princess, Da-van, on a giant lizard whom he saves from the Mahar. While bickering over their next course of action, Korak and Da-van encounter a Sagoth, a hostile ape-like warrior.
This week, Korak nobly treats and dresses the Sagoth's gunshot wound, while Da-van rides off in disgust. Then, the son of Tarzan hears gunfire and searches for its source.
Korak remains in the leading role this week. The youthful hero shows his compassion by helping to save a hostile ape-like warrior, despite the scorn of a privileged local princess, and he shows his good sense by searching for the gunfire which may lead to help.
Manning's artwork is excellent. This week has many scenes of the youthful, handsome son of Tarzan, in action poses at the beginning of the week, initially preparing to fight and then treating the wounds of the Sagoth, and taking to the trees to search for gunfire at the end of the week.
Favorite scene: 3/18/1972, panel a
Previous blog:
Korak in Daily Tarzan (3/6/1972-3/11/1972)
Next blog: Korak in Daily Tarzan (3/20/1972-3/25/1972)
This blog is intended to raise interest in and appreciation of the Edgar Rice Burroughs character Korak. To see this story in context, you may find it in Hillman's ERBzine at the following link:
This week's adventures can also be found at the following link(s):
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