Korak in Sunday Tarzans (11/20/1977)

 

Korak is the Honorable Jack Clayton, son of English Lord John Clayton, Viscount Greystoke, also known as Tarzan, lord of the jungle.  He is the hero of a 1915/6 magazine serial and 1917 novel by American writer Edgar Rice Burroughs and a 1920 silent movie serial, as well as a character in several other Tarzan stories from 1914 to 1924.  He experienced a revival in 1964 as the star of his own comic book series and as a major character in various Tarzan comic books, pages, and strips from 1966 to 1978.

As depicted in the comic books, pages, and strips, Korak has a lean, athletic physique, broad shoulders and thin waist, almost no clothing, a cute, boyish face, and full, thick hair.  He is also an intelligent, enthusiastic teen-aged boy with excellent natural instincts and a good heart.

Korak strives to emulate his legendary father but lacks his strength, maturity and experience.  Therefore, he is both more likely to enter into dangerous situations and more vulnerable to being defeated.

As the star of his own comic book series in 1964, Korak is a capable, young hero.  His adventures were somewhat similar to those of his father Tarzan, but independent from them.  

In 1966, ABC released the TV series Batman, featuring the frequently imperiled youthful sidekick Robin the Boy Wonder.  As a fan of seeing cute, young sidekicks in trouble, I watched every episode.

Russ Manning took over the Sunday Tarzan pages in 1968.  His Korak tended to have a tall, lean, swimmer's build.  While the son of Tarzan continued to have somewhat autonomous adventures, the slender, handsome youth seemed to be getting into trouble more frequently and more easily.  Moreover, in the Sunday Tarzan pages, Korak tended to suffer from more frequent comparisons to his legendary father. 

Previously, Korak was in captivity on a boat and wearing bandages on his head.  However, with the help of a veiled red-haired woman, Korak began to remember the circumstances. The veiled red-haired woman introduces herself as Leila, priestess of the great god Krackoa, who are bred to have such allure that they are forced to wear veils to hide it.  She was kidnapped by raiders and brought to a city.  However, when they removed the veil, they started fighting among themselves over her.  Korak fought and defeated the raiders and rescued her.  However, after removing her veil, Korak immediately became obsessed with her.

The raiders discovered them in the walled garden.  During the subsequent fight, Korak was injured in the head by a sword.  However, the guardian priests of Krackoa manage to drive off the raiders and, at the behest of Leila, take Korak with her on the boat to the lake of Krackoa and bandage his head and tie him to a pole.  The boat enters into a lake in a dormant volcano with a giant squid, who turns out to be the great god Krackoa.  Leila is called to communicate with the giant squid, who strikes her, leaving her unconscious.

This week, Korak is still tied to a pole.  The boat docks at an island, where everyone else disembarks and a still unconscious Leila is carried away to be treated.

 

Korak continues his leading role in this adventure.  However, he is still in a passive role, being tied to the pole on the boat.

Manning's artwork is excellent.  Unfortunately, Korak is tied to a pole on a boat, wearing a bandage on his head, obscuring his full, thick hair.

Favorite scene:  panel f 

Previous blog:  Korak in Sunday Tarzans (11/13/1977)

Next blog:  Korak in Sunday Tarzans (11/27/1977)

This blog is intended to raise interest in and appreciation of the Edgar Rice Burroughs character Korak.  To see this story in context, you may find it in Hillman's ERBzine at the following link:

https://www.erbzine.com/mag21/2136.html

This week's adventures can also be found at the following link(s):

Korak in Sunday Tarzans (11/13/1977)

 

Korak is the Honorable Jack Clayton, son of English Lord John Clayton, Viscount Greystoke, also known as Tarzan, lord of the jungle.  He is the hero of a 1915/6 magazine serial and 1917 novel by American writer Edgar Rice Burroughs and a 1920 silent movie serial, as well as a character in several other Tarzan stories from 1914 to 1924.  He experienced a revival in 1964 as the star of his own comic book series and as a major character in various Tarzan comic books, pages, and strips from 1966 to 1978.

As depicted in the comic books, pages, and strips, Korak has a lean, athletic physique, broad shoulders and thin waist, almost no clothing, a cute, boyish face, and full, thick hair.  He is also an intelligent, enthusiastic teen-aged boy with excellent natural instincts and a good heart.

Korak strives to emulate his legendary father but lacks his strength, maturity and experience.  Therefore, he is both more likely to enter into dangerous situations and more vulnerable to being defeated.

As the star of his own comic book series in 1964, Korak is a capable, young hero.  His adventures were somewhat similar to those of his father Tarzan, but independent from them.  

In 1966, ABC released the TV series Batman, featuring the frequently imperiled youthful sidekick Robin the Boy Wonder.  As a fan of seeing cute, young sidekicks in trouble, I watched every episode.

Russ Manning took over the Sunday Tarzan pages in 1968.  His Korak tended to have a tall, lean, swimmer's build.  While the son of Tarzan continued to have somewhat autonomous adventures, the slender, handsome youth seemed to be getting into trouble more frequently and more easily.  Moreover, in the Sunday Tarzan pages, Korak tended to suffer from more frequent comparisons to his legendary father. 

Previously, Korak was in captivity on a boat and wearing bandages on his head.  However, with the help of a veiled red-haired woman, Korak began to remember the circumstances. The veiled red-haired woman introduces herself as Leila, priestess of the great god Krackoa, who are bred to have such allure that they are forced to wear veils to hide it.  She was kidnapped by raiders and brought to a city.  However, when they removed the veil, they started fighting among themselves over her.  Korak fought and defeated the raiders and rescued her.  However, after removing her veil, Korak immediately became obsessed with her.

The raiders discovered them in the walled garden.  During the subsequent fight, Korak was injured in the head by a sword.  However, the guardian priests of Krackoa manage to drive off the raiders and, at the behest of Leila, take Korak with her on the boat to the lake of Krackoa and bandage his head and tie him to a pole.  The boat enters into a lake in a dormant volcano with a giant squid, who turns out to be the great god Krackoa.

This week, Leila is called to communicate with the giant squid, who strikes her, leaving her unconscious.

 

Korak continues his leading role in this adventure.  However, he is in a passive role, being tied to the pole on the boat.

Manning's artwork is excellent.  Unfortunately, Korak is tied to a pole on a boat, wearing a bandage on his head, obscuring his full, thick hair.

Favorite scene:  panel e 

Previous blog:  Korak in Sunday Tarzans (11/6/1977)

Next blog:  Korak in Sunday Tarzans (11/20/1977)

This blog is intended to raise interest in and appreciation of the Edgar Rice Burroughs character Korak.  To see this story in context, you may find it in Hillman's ERBzine at the following link:

https://www.erbzine.com/mag21/2136.html

This week's adventures can also be found at the following link(s):

Korak in Sunday Tarzans (11/6/1977)

 

Korak is the Honorable Jack Clayton, son of English Lord John Clayton, Viscount Greystoke, also known as Tarzan, lord of the jungle.  He is the hero of a 1915/6 magazine serial and 1917 novel by American writer Edgar Rice Burroughs and a 1920 silent movie serial, as well as a character in several other Tarzan stories from 1914 to 1924.  He experienced a revival in 1964 as the star of his own comic book series and as a major character in various Tarzan comic books, pages, and strips from 1966 to 1978.

As depicted in the comic books, pages, and strips, Korak has a lean, athletic physique, broad shoulders and thin waist, almost no clothing, a cute, boyish face, and full, thick hair.  He is also an intelligent, enthusiastic teen-aged boy with excellent natural instincts and a good heart.

Korak strives to emulate his legendary father but lacks his strength, maturity and experience.  Therefore, he is both more likely to enter into dangerous situations and more vulnerable to being defeated.

As the star of his own comic book series in 1964, Korak is a capable, young hero.  His adventures were somewhat similar to those of his father Tarzan, but independent from them.  

In 1966, ABC released the TV series Batman, featuring the frequently imperiled youthful sidekick Robin the Boy Wonder.  As a fan of seeing cute, young sidekicks in trouble, I watched every episode.

Russ Manning took over the Sunday Tarzan pages in 1968.  His Korak tended to have a tall, lean, swimmer's build.  While the son of Tarzan continued to have somewhat autonomous adventures, the slender, handsome youth seemed to be getting into trouble more frequently and more easily.  Moreover, in the Sunday Tarzan pages, Korak tended to suffer from more frequent comparisons to his legendary father. 

Previously, Korak was in captivity on a boat and wearing bandages on his head.  However, with the help of a veiled red-haired woman, Korak began to remember the circumstances. The veiled red-haired woman introduces herself as Leila, priestess of the great god Krackoa, who are bred to have such allure that they are forced to wear veils to hide it.  She was kidnapped by raiders and brought to a city.  However, when they removed the veil, they started fighting among themselves over her.  Korak fought and defeated the raiders and rescued her.  However, after removing her veil, Korak immediately became obsessed with her.

The raiders discovered them in the walled garden.  During the subsequent fight, Korak was injured in the head by a sword.  However, the guardian priests of Krackoa manage to drive off the raiders and, at the behest of Leila, take Korak with her on the boat to the lake of Krackoa and bandage his head and tie him to a pole.

This week, the boat enters into a lake in a dormant volcano with a giant squid, who turns out to be the great god Krackoa.

 

Korak continues his leading role in this adventure.  However, he is in a passive role, being tied to the pole on the boat.

Manning's artwork is excellent.  Unfortunately, Korak is tied to a pole on a boat, wearing a bandage on his head, obscuring his full, thick hair.

Favorite scene:  panel e 

Previous Sunday Tarzan blog:  Korak in Sunday Tarzans (10/30/1977)

Previous blog:  Korak in British Tarzans (Nov. 1977) - Golden Girl

Next blog:  Korak in Sunday Tarzans (11/13/1977)

This blog is intended to raise interest in and appreciation of the Edgar Rice Burroughs character Korak.  To see this story in context, you may find it in Hillman's ERBzine at the following link:

https://www.erbzine.com/mag21/2136.html

This week's adventures can also be found at the following link(s):

Korak in British Tarzans (Nov. 1977) - Golden Girl

 

Korak is the Honorable Jack Clayton, son of English Lord John Clayton, Viscount Greystoke, also known as Tarzan, lord of the jungle.  He is the hero of a 1915/6 magazine serial and 1917 novel by American writer Edgar Rice Burroughs and a 1920 silent movie serial, as well as a character in several other Tarzan stories from 1914 to 1924.  He experienced a revival in 1964 as the star of his own comic book series and as a major character in various Tarzan comic books, pages, and strips from 1966 to 1978.

As depicted in the comic books, pages, and strips, Korak has a lean, athletic physique, broad shoulders and thin waist, almost no clothing, a cute, boyish face, and full, thick hair.  He is also an intelligent, enthusiastic teen-aged boy with excellent natural instincts and a good heart.

Korak strives to emulate his legendary father but lacks his strength, maturity and experience.  Therefore, he is both more likely to enter into dangerous situations and more vulnerable to being defeated.

As the star of his own comic book series in 1964, Korak is a capable, young hero.  His adventures were somewhat similar to those of his father Tarzan, but independent from them.  

In 1966, ABC released the TV series Batman, featuring the frequently imperiled youthful sidekick Robin the Boy Wonder.  As a fan of seeing cute, young sidekicks in trouble, I watched every episode.

 

The British Tarzan weekly started in 1977.  This week's artists are Will Meugniot and Bill Wray.  

 

Korak continues to have a lean, athletic physique, broad shoulders and thin waist, almost no clothing except for a leather loincloth over his mid-section, a cute, boyish face, and full, thick, dark hair.

 

He continues to be a strong, athletic, teen-aged jungle boy.  However, his smaller size makes him even more vulnerable to defeat to larger, more mature opponents.

He continues to be an intelligent, enthusiastic teen-aged boy with good natural instincts and a good heart. His youthful inexperience makes him vulnerable to dirty fighting techniques or seduction. His youthful enthusiasm may also lead him into trouble over good but dangerous causes or to otherwise confront dangerous opponents to prove himself.

This week, Korak has enough trouble dealing with a rampage of apes driven wild by ho-ro-ta, a plant which is worse than locoweed.  However, he also encounters a jungle girl who seeks to punish him for impersonating the son of Tarzan.

Korak looks like a fool for being unable to deal with a rampage of apes driven wild by ho-ro-ta.  However, he is also repeatedly being beaten by and running away from the jungle girl who seeks to punish him for impersonating the son of Tarzan.  Unable to escape, Korak is almost thrown off the top of a pyramid by the jungle girl but is saved when she is finally convinced that he is the son of Tarzan.

Meugniot and Wray's artwork is slightly rougher than Spiegle's.  However, viewers still get good views of Korak in action.

Favorite scene: page 13, panel a

 

Previous blog:  Korak in British Tarzans (Nov. 1977) - Jewel of Thobos

Next blog:  Korak in Sunday Tarzans (11/6/1977) 

Next British Tarzan blog:  Korak in British Tarzans (Dec. 1977) - Nemesis Tree

This blog is intended to raise interest in and appreciation of the Edgar Rice Burroughs character Korak.  To see this story in context, you may find it in my Korak in British Tarzans blog at the following link:

https://britishtarzanskorak.blogspot.com/

This week's adventures can also be found at the following link(s):

Korak in British Tarzans (Nov. 1977) - Jewel of Thobos

 

Korak is the Honorable Jack Clayton, son of English Lord John Clayton, Viscount Greystoke, also known as Tarzan, lord of the jungle.  He is the hero of a 1915/6 magazine serial and 1917 novel by American writer Edgar Rice Burroughs and a 1920 silent movie serial, as well as a character in several other Tarzan stories from 1914 to 1924.  He experienced a revival in 1964 as the star of his own comic book series and as a major character in various Tarzan comic books, pages, and strips from 1966 to 1978.

As depicted in the comic books, pages, and strips, Korak has a lean, athletic physique, broad shoulders and thin waist, almost no clothing, a cute, boyish face, and full, thick hair.  He is also an intelligent, enthusiastic teen-aged boy with excellent natural instincts and a good heart.

Korak strives to emulate his legendary father but lacks his strength, maturity and experience.  Therefore, he is both more likely to enter into dangerous situations and more vulnerable to being defeated.

As the star of his own comic book series in 1964, Korak is a capable, young hero.  His adventures were somewhat similar to those of his father Tarzan, but independent from them.  

In 1966, ABC released the TV series Batman, featuring the frequently imperiled youthful sidekick Robin the Boy Wonder.  As a fan of seeing cute, young sidekicks in trouble, I watched every episode.

 

The British Tarzan weekly started in 1977.  This week's artist is the wonderful Dan Spiegle.  

 

Korak continues to have a lean, athletic physique, broad shoulders and thin waist, almost no clothing except for a leather loincloth over his mid-section, a cute, boyish face, and full, thick, dark hair.  However, under Spiegle, Korak tended to have a shorter, more compact, gymnast's build.

 

He continues to be a strong, athletic, teen-aged jungle boy.  However, his smaller size makes him even more vulnerable to defeat to larger, more mature opponents.

He continues to be an intelligent, enthusiastic teen-aged boy with good natural instincts and a good heart. His youthful inexperience makes him vulnerable to dirty fighting techniques or seduction. His youthful enthusiasm may also lead him into trouble over good but dangerous causes or to otherwise confront dangerous opponents to prove himself.

This week, Korak guides a female pilot to the forbidden city of Thobos.  Posing as a botanist with a fake letter of introduction from a family friend, the pilot is actually a jewel thief.  Coincidentally, priests from the rival city of Ashair steal Thobos' iconic diamond immediately before the pilot attempts to do so.  The pilot is blamed for the theft, and Korak looks like a fool for trusting her.  Korak goes to Ashair, finds and steals the diamond from the priests, and smuggles it back to Thobos.  Korak leaves with his honor intact, along with a now-bald pilot.

Korak looks like a fool for trusting the female pilot who was posing as a botanist with a fake letter of introduction.  However, he demonstrates his strength, speed, courage, and cunning by locating the jewel, stealing it, and smuggling back to Thobos.

Spiegle's artwork is excellent.  Viewers have plenty of opportunity to admire Korak's lean, athletic physique on every page.

Favorite scene: page 12, panel e

 

Previous British Tarzan blog:  Korak in British Tarzans (10/15/1977) - conclusion

Previous blog:  Korak in Sunday Tarzans (10/30/1977)

Next blog:  Korak in British Tarzans (Nov. 1977) - Golden Girl

This blog is intended to raise interest in and appreciation of the Edgar Rice Burroughs character Korak.  To see this story in context, you may find it in my Korak in British Tarzans blog at the following link:

https://britishtarzanskorak.blogspot.com/

This week's adventures can also be found at the following link(s):