Previous to this week's adventures, Korak find that the Waziri are threatened by a young, idealistic family who wish to find a place to farm. Agreeing to find another place, the family are helped by Korak and his friend Muviro the Waziri. Camping next to the Dismal Gorges, Korak, Muviro, and the young family are attacked by a pride of lions, who take the daughter with them. Korak follows the attacking lions and their prize into the Dismal Gorges, where he encounters a hidden fortress, which he infiltrates. However, finding that Muviro and the young parents have been captured, Korak is exposed as an outsider in his attempt to rescue them. Korak, Muviro, and the young father are thrown into a hole with a den of lions, where they encounter an old man who has survived by claiming and defending his position on a ledge beyond their reach. While the lions are still full from their previous feeding, the old man tells Korak, Muviro, and the young father of how the inhabitants of the fortress were driven mad by the threat of war by the evil ones and how they sacrifice women and children to a bloodthirsty idol. The four of them then escape the den of lions by standing on each other's shoulders and reaching the door through which they were thrown. Then, swinging in to rescue the young mother and her daughter before they are sacrificed, Korak discovers that the city's bloodthirsty idol was merely the alter-ego for a group of frightened little men. The little men had already rescued the young mother and daughter from the inhabitants of the fortress, and Korak insisted that they do the same for Muviro, the young father, and the old man by having them sacrificed to the idol too.
This week, the young family object to how the frightened little men use the city's bloodthirsty idol to defend themselves by driving the inhabitants of the fortress mad by the threat of war and ask that Korak find them somewhere else to settle.
Korak remains in the leading role in his own adventure. After cleverly using the truth of the frightened little men behind the city's bloodthirsty idol to rescue the rest of the group, the son of Tarzan is asked to find them somewhere else to settle. They must be confusing the youthful hero with a realtor.
Manning's artwork is wonderful. Korak continues his usual fan service by giving viewers a wonderful view of his young, athletic, shirtless body as he talks with Muviro and the young family about settling with the little men who drive the city inhabitants mad.
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