Sunday, July 25, 2021

Dorno in Laser Lancers (12/2/1967)



Dorno is the son of Zandor, leader of the Herculoids, and his wife Tara, a family of three humans and their five very powerful pet creatures defending their jungle planet.  The Herculoids were the subjects of an American animated television series, which debuted in 1967 and was revived in 1981 on CBS and produced by Hanna-Barbera Productions.

Dorno has a cute, boyish face, long, blond hair, and a slender, athletic physique.  His shirtless Herculoids outfit consists of a pair of brown boots, a light, blue skirt and neck collar, and a gold belt and wrist bands.  At his age, he is growing taller and more attractive and gaining better muscle definition and athletic ability.  He is also developing more self-esteem and self-confidence and taking more risks.

Due to his youth and his lack of special powers, Dorno is certainly one of the most vulnerable members of the Herculoids and is frequently a weak link which their opponents seek to target.

In this episode, Gloop, Zok, Igoo, and Tundro rescue Zandor from an ambush by the Laser Lancers.  The Herculoids fight off a massive assault.  However, when the Laser Lancers sneak up behind Tara and Dorno, Gleep foils them.  The invaders regroup and attack again but are forced to retreat. 

Action shots:  



Favorite shot:
















Robin in Ring of Wax (3/30/1966) & Give Them the Axe (3/31/1966)

 



Robin the Boy Wonder is the eager, youthful sidekick of Batman, the Caped Crusader, the vigilante crime-fighting alias of millionaire playboy Bruce Wayne.  Introduced in 1940 as orphaned acrobat Dick Grayson in the DC comic book series Batman, Robin was played by Burt Ward in the 1966 television series on ABC.

As played by Burt Ward, Robin has a cute, boyish face, clean-cut, brown hair, and a compact, athletic physique which fits perfectly with his character's acrobatic background.  His colorful outfit, with his dark green mask, gloves, and booties, his bright, red shirt, his shiny, yellow cape, his tight, green panties, and his form-fitting, flesh-color leggings, certainly catches the audience's attention.

Due to his youth, inexperience, and smaller size, the Boy Wonder is clearly the weak link in the Dynamic Duo, which their opponents often seek to exploit.  Robin is also cocky, enthusiastic, and overly eager to prove his independent crime-fighting abilities, especially to Batman.  He is often in trouble and in need of rescue.

This week's villain is Riddler.  

In the first episode, Batman and Robin are shot in the back by sleeping darts.  They are then hung up by their wrists and lowered towards a vat of boiling candle wax.



In the next episode, Batman uses his shiny utility belt buckle to reflect sunlight into the boiling wax, causing an explosion which blows the Dynamic Duo free of the ropes and clear of the vat.

Favorite shots:


























For fans of Robin peril, the second episode is probably the best yet.

The Dynamic Duo discovers that Riddler intends to loot the coffin of a prehistoric Incan emperor on loan to a local museum.  Discovering that the museum is closed but that a small window was left open, Robin convinces Batman to let him proceed through the window by himself with the understanding that the Boy Wonder would promptly open the door for the Caped Crusader to the museum and that he would avoid confronting the Riddler's men.  

Whether he was improperly trained by the Caped Crusader or whether he merely chose to disregard whatever training he did receive, the Boy Wonder gives no thought to avoiding the light upon entry into the building, thereby casting a shadow which alerts one of Riddler's henchmen to his presence.  Not that it matters at this point, but the Boy Wonder confidently struts through the center of each room, rather than hugging the walls, also increasing his visibility to potential criminals.  

While entering each room, Robin also fails to check the corners.  As a result, he misses one of Riddler's henchmen, who was hiding in one of the corners.  Fortunately, the Boy Wonder is alerted to his presence when the henchman expresses surprise that the young sidekick was still alive.

Rather than running to the entrance to open the door to the museum, as Batman instructed, Robin chooses to fight the henchman, which was exactly contrary to the Caped Crusader's instructions.  While the Boy Wonder is clearly winning, he is unable to knock out the the henchman, who alerts the other henchman to the fight.

Turning to face the other henchman, Robin is placed in a double chicken-wing hold by the first henchman.  The Boy Wonder demonstrates his fighting prowess by kicking the larger henchman away, and propelling himself and the smaller henchman with him towards a couch next to the wall.  However, the young sidekick is unable to break free from the first henchman, resulting in the Boy Wonder's giving the villain a frantic lap dance as the other henchman rejoins the fight.

The two henchmen quickly overpower Robin and bring the Boy Wonder to Riddler, who orders the young sidekick placed on the rack.

Fortunately, Batman eventually realizes that Robin will not be opening the door to the museum for him, uses the bat ram to gain entry, foils the Riddler and his men, and rescues the Boy Wonder.            

This blog is intended to promote the appreciation of Burt Ward's portrayal of Robin in the 1966 television series "Batman".  You may purchase both episodes at the following link:

Previous blog:  

Robin in Penguin Goes Straight (3/23/1966) & Not Yet He Ain't (3/24/1966)


Korak in Daily Tarzans (3/23/1970-3/28/1970)

 


Korak is the Honorable Jack Clayton, son of English Lord John Clayton, Viscount Greystoke, also known as Tarzan, lord of the jungle.  He is the hero of a 1915/6 magazine serial and 1917 novel by American writer Edgar Rice Burroughs and a 1920 silent movie serial, as well as a character in several other Tarzan stories from 1914 to 1924.  He experienced a revival in 1964 as the star of his own comic book series and as a major character in various Tarzan comic books, pages, and strips from 1966 to 1978.

As depicted in the comic books, pages, and strips, Korak has a lean, athletic physique, broad shoulders and thin waist, almost no clothing, a cute, boyish face, and full, thick hair.  He is also an intelligent, enthusiastic teen-aged boy with excellent natural instincts and a good heart.

Korak strives to emulate his legendary father but lacks his strength, maturity and experience.  Therefore, he is both more likely to enter into dangerous situations and more vulnerable to being defeated.

Korak in Daily Tarzans (3/23/1970)

Korak in Daily Tarzans (3/24/1970)

Korak in Daily Tarzans (3/25/1970)

Korak in Daily Tarzans (3/26/1970)

Korak in Daily Tarzans (3/27/1970)

Korak in Daily Tarzans (3/28/1970)

As the star of his own comic book series in 1964, Korak is a capable, young hero.  His adventures were somewhat similar to those of his father Tarzan, but independent from them.  

In 1966, ABC released the TV series Batman, featuring the frequently imperiled youthful sidekick Robin the Boy Wonder.  As a fan of seeing cute, young sidekicks in trouble, I watched every episode.

Russ Manning took over the Daily Tarzan strips in 1967.  His Korak tended to have a tall, lean, swimmer's build.  While the son of Tarzan continued to have somewhat autonomous adventures, the slender, handsome youth seemed to be getting into trouble more frequently and more easily.  Moreover, in the Daily Tarzan strips, Korak tended to suffer from more frequent comparisons to his legendary father. 

Previous to this week's adventures, Korak helped his friend Ab overthrow the leadership of the Ho-don city of Ta-lur and its cult of human sacrifices.  However, when the son of Tarzan grew suspicious of Ab's girlfriend Pan-at-za, our young hero found himself sold to the savage Tor-o-dons as a slave.  Then, he observed Pan-at-za's people attacking and destroying Ta-lur.  

Joined by Jane, Auric, a failed revolutionary, and Chulai, a disgruntled former follower of Auric, Tarzan finds Korak, and they escape the Tor-o-dons.  While examining the ruins of Ta-lur, the group encounters the city's high priestess Ju-ra, who joins them.  On their way to the friendly city of Ho-lur, they encounter a battle and a fire-breathing dinosaur.  Tarzan and Korak investigate and learn about strange magicians from the mountain.  After learning that the strange magicians had taken Chulai, Auric, and Ju-ra, Tarzan decides to investigate the mountain.

Korak decides to investigate the mountain himself.  Carefully analyzing the situation, the son of Tarzan decides to take another path from his father.  However, while he scales down the mountain, the young hero finds that someone else has other plans for him.

With Tarzan engaged in his own adventures, Korak resumes his hero role this week.  His actions reveal a wonderful blend of youthfulness and maturity.  While his insistence upon proceeding without his Ho-don allies evidences daring and impetuosity, the strategy he chooses shows caution and deliberation.  As a fan of Korak peril, the hand reaching from the darkness to grab the handsome, young son of Tarzan's leg is very promising.  While some may argue that it evidences the folly of youth, others may counter that it is the result of a mature calculation of this risks, a heroic willingness to encounter danger, and filial devotion to his legendary father. 

Manning's artwork is wonderful.  We get wonderful views of Korak's side and back on Monday, March 23, his face on Tuesday, March 24, and his magnificent chest and abs on Friday, March 28.

Favorite scene:  3/28/1970, panel a


Previous Daily TarzanKorak in Daily Tarzan (2/2/1969-2/7/1970)

Previous blog:  Korak in Sunday Tarzans (3/22/1970)

Next blog:  Korak in Sunday Tarzans (3/29/1970)

Next Daily Tarzan:  Korak in Daily Tarzans (3/30/1970-4/4/1970)


This blog is intended to raise interest in and appreciation of the Edgar Rice Burroughs character Korak.  To see this story in context, you may find it in Hillman's ERBzine at the following link:


This week's adventures can also be found at the following link(s):

https://www.erbzine.com/mag26/2681.html
https://www.erbzine.com/mag26/2682.html

Korak in Sunday Tarzans (3/22/1970)

 

Korak is the Honorable Jack Clayton, son of English Lord John Clayton, Viscount Greystoke, also known as Tarzan, lord of the jungle.  He is the hero of a 1915/6 magazine serial and 1917 novel by American writer Edgar Rice Burroughs and a 1920 silent movie serial, as well as a character in several other Tarzan stories from 1914 to 1924.  He experienced a revival in 1964 as the star of his own comic book series and as a major character in various Tarzan comic books, pages, and strips from 1966 to 1978.

As depicted in the comic books, pages, and strips, Korak has a lean, athletic physique, broad shoulders and thin waist, almost no clothing, a cute, boyish face, and full, thick hair.  He is also an intelligent, enthusiastic teen-aged boy with excellent natural instincts and a good heart.

Korak strives to emulate his legendary father but lacks his strength, maturity and experience.  Therefore, he is both more likely to enter into dangerous situations and more vulnerable to being defeated.


As the star of his own comic book series in 1964, Korak is a capable, young hero.  His adventures were somewhat similar to those of his father Tarzan, but independent from them.  

In 1966, ABC released the TV series Batman, featuring the frequently imperiled youthful sidekick Robin the Boy Wonder.  As a fan of seeing cute, young sidekicks in trouble, I watched every episode.

Russ Manning took over the Sunday Tarzan pages in 1968.  His Korak tended to have a tall, lean, swimmer's build.  While the son of Tarzan continued to have somewhat autonomous adventures, the slender, handsome youth seemed to be getting into trouble more frequently and more easily.  Moreover, in the Sunday Tarzan pages, Korak tended to suffer from more frequent comparisons to his legendary father. 

Previous to this week's adventures, after helping his father defeat an ivory poacher and discover the secret of the red wig, Korak joins the girls returning to their hidden city of Tembo Haven.  He returns as an old man in a loincloth.  Tarzan returns with the old man in a loincloth to Tembo Haven to restore his youth. 

This week, Tarzan confronts Tembo Haven's youthful inhabitants whom the old man in the loincloth claim had stolen his youth. 

Finally, the old man in the loincloth provides some exposition.

Manning's artwork is wonderful.  Unfortunately, Korak only appears as an old man in a loincloth this week.

Favorite scene:  none

Previous page:  Korak in Sunday Tarzans (3/15/1970)
Next blog:  Korak in Daily Tarzans (3/23/1970-3/28/1970)
Next page:  Korak in Sunday Tarzans (3/29/1970)

This blog is intended to raise interest in and appreciation of the Edgar Rice Burroughs character Korak.  To see this story in context, you may find it in Hillman's ERBzine at the following link:

https://www.erbzine.com/mag21/2138.html

This week's adventures can also be found at the following link(s):

https://www.erbzine.com/manning/tz2037.jpg

Sunday, July 18, 2021

Dorno in Queen Skorra (11/25/1967)

 


Dorno is the son of Zandor, leader of the Herculoids, and his wife Tara, a family of three humans and their five very powerful pet creatures defending their jungle planet.  The Herculoids were the subjects of an American animated television series, which debuted in 1967 and was revived in 1981 on CBS and produced by Hanna-Barbera Productions.

Dorno has a cute, boyish face, long, blond hair, and a slender, athletic physique.  His shirtless Herculoids outfit consists of a pair of brown boots, a light, blue skirt and neck collar, and a gold belt and wrist bands.  At his age, he is growing taller and more attractive and gaining better muscle definition and athletic ability.  He is also developing more self-esteem and self-confidence and taking more risks.

Due to his youth and his lack of special powers, Dorno is certainly one of the most vulnerable members of the Herculoids and is frequently a weak link which their opponents seek to target.

In this episode, Zandor, Igoo, Tundro, and Zok deal with a volcanic mud monster before returning to help Gloop prevent a trio of mechanical soldiers from abducting Tara and Dorno in order to force the Herculoids to agree to be exiled from the planet.  Queen Skorra trap the Herculoids in a shrinking dome of doom, but they escape, attack her base, and defeat the villainess.

Action shots:  





Favorite shot:











Next blog:  Dorno in Laser Lancers (12/2/1967)

This blog is intended to raise interest in the Herculoids and Dorno.  To view the entire episode, you may purchase the DVD at the following link:


https://www.amazon.com/Herculoids-Complete-2-Disc/dp/B00553KAK2/ref=sr_1_2?crid=A864MLT2E86B&dchild=1&keywords=herculoids+cartoon&qid=1612274032&sprefix=herculoids%2Cinstant-video%2C187&sr=8-2


Robin in Penguin Goes Straight (3/23/1966) & Not Yet He Ain't (3/24/1966)

 



Robin the Boy Wonder is the eager, youthful sidekick of Batman, the Caped Crusader, the vigilante crime-fighting alias of millionaire playboy Bruce Wayne.  Introduced in 1940 as orphaned acrobat Dick Grayson in the DC comic book series Batman, Robin was played by Burt Ward in the 1966 television series on ABC.

As played by Burt Ward, Robin has a cute, boyish face, clean-cut, brown hair, and a compact, athletic physique which fits perfectly with his character's acrobatic background.  His colorful outfit, with his dark green mask, gloves, and booties, his bright, red shirt, his shiny, yellow cape, his tight, green panties, and his form-fitting, flesh-color leggings, certainly catches the audience's attention.

Due to his youth, inexperience, and smaller size, the Boy Wonder is clearly the weak link in the Dynamic Duo, which their opponents often seek to exploit.  Robin is also cocky, enthusiastic, and overly eager to prove his independent crime-fighting abilities, especially to Batman.  He is often in trouble and in need of rescue.

This week's villain is Penguin.  

In the first episode, Batman and Robin are knocked unconscious by a falling umbrella.  They are then hung up by their wrists behind the bullseyes of a carnival shooting gallery booth, and the fake bullets are replaced by real bullets.




In the next episode, the Caped Crusaders deflect the shots with the bulletproof soles of their shoes, before working to release themselves from the ropes.

This blog is intended to promote the appreciation of Burt Ward's portrayal of Robin in the 1966 television series "Batman".  You may purchase both episodes at the following link:

Previous blog:  

Robin in Purr-Fect Crime (3/16/1966) & Better Luck Next Time (3/17/1966)


obin in Ring of Wax (3/30/1966) & Give Emthe Axe (3/31/1966)