Korak is the Honorable Jack Clayton, son of English Lord John Clayton, Viscount Greystoke, also known as Tarzan, lord of the jungle. He is the hero of a 1915/6 magazine serial and 1917 novel by American writer Edgar Rice Burroughs and a 1920 silent movie serial, as well as a character in several other Tarzan stories from 1914 to 1924. He experienced a revival in 1964 as the star of his own comic book series and as a major character in various Tarzan comic books, pages, and strips from 1966 to 1978.
As depicted in the comic books, pages, and strips, Korak has a lean, athletic physique, broad shoulders and thin waist, almost no clothing, a cute, boyish face, and full, thick hair. He is also an intelligent, enthusiastic teen-aged boy with excellent natural instincts and a good heart.
Korak strives to emulate his legendary father but lacks his strength, maturity and experience. Therefore, he is both more likely to enter into dangerous situations and more vulnerable to being defeated.
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Korak in Daily Tarzan (11/3/1969) |
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Korak in Daily Tarzan (11/4/1969) |
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Korak in Daily Tarzan (11/5/1969) |
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Korak in Daily Tarzan (11/6/1969) |
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Korak in Daily Tarzan (11/7/1969) |
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Korak in Daily Tarzan (11/8/1969) |
As the star of his own comic book series in 1964, Korak is a capable, young hero. His adventures were somewhat similar to those of his father Tarzan, but independent from them.
In 1966, ABC released the TV series Batman, featuring the frequently imperiled youthful sidekick Robin the Boy Wonder. As a fan of seeing cute, young sidekicks in trouble, I watched every episode.
Russ Manning took over the Daily Tarzan strips in 1967. His Korak tended to have a tall, lean, swimmer's build. While the son of Tarzan continued to have somewhat autonomous adventures, the slender, handsome youth seemed to be getting into trouble more frequently and more easily. Moreover, in the Daily Tarzan strips, Korak tended to suffer from more frequent comparisons to his legendary father.
Previous to this week's adventures, Tarzan left Korak in Pal-ul-Don to recuperate from his leg wound and to assist his friend Ab in the Ho-don city of Ta-lur. Reuniting in Pal-ul-Don with Jane, Auric, a failed revolutionary, and Chulai, a disgruntled former follower of Auric, the group escape the savage, ape-like Tor-o-dons, hide in the treetops, and occupy their time hearing Korak's story about his return to Ta-lur.
Korak follows his friend into the rebels' underground hideout deep in the sewers of Ta-lur, where he hears about Ab's father's mysterious death, his escape from becoming a human sacrifice, and his joining the young rebels in the sewers. Then, a mysterious face appears in the smoke.
This week, the face encourages the young rebels in opposing the city's cult of human sacrifices. They overpower the priests and rescue the victim, but find that the crowd is opposed to them.
Korak continues his hero role this week. However, he takes a supporting role in the action, as he assists Ab and his young rebel friends overpower the priests and rescue the human sacrifice victim.
Manning's artwork is wonderful. Korak's handsome, athletic body is displayed telling the group about his Ta-lur story and helping the rebels rescue the human sacrifice victim.
Favorite scene: 11/7/1969, panel b.
Previous blog: Korak in Daily Tarzan (10/27/1969-11/1/1969)
This blog is intended to raise interest in and appreciation of the Edgar Rice Burroughs character Korak. To see this story in context, you may find it in Hillman's ERBzine at the following link:
This week's adventures can also be found at the following link(s):